As well as our Director and sound team at Molinare, our Producers Colin Pons and Polly Perkins, Editor Joby Gee and Composer Jack Ketch met to review the film which went down incredibly well.
We can't wait to share the film you soon.
This week we have almost finished the sound mix on Still Loved. The sound team at Molinare have done a wonderful job. Dialogue Editor Claire Ellis, Sound Effects Editor Tom Foster and Sound Re Recording Mixer Nas Parkash have worked for a couple of weeks getting everything ready for the final mix with George Foulgham who has put everything together over the last few days. Our Director, Debbie Howard, worked with George and Nas this week in the mix, working in the beautiful score from Jack Ketch. It's all coming together to create a fantastic, cinematic mix for Still Loved. Our team gathered yesterday for a review of the mix, leaving us just one day to tweak and make finishing touches to the music and sound very soon. As well as our Director and sound team at Molinare, our Producers Colin Pons and Polly Perkins, Editor Joby Gee and Composer Jack Ketch met to review the film which went down incredibly well. That just left Debbie, Colin and Polly a good trip back on the train with a bottle of fizz to celebrate! We'll be completing the mix in a few weeks time once we've completed our on line.
We can't wait to share the film you soon.
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Our post production is progressing well. The score is almost complete now, with Jack Ketch doing a wonderful job. A bit more tweaking and it will be ready. Tom Foster has been working on our Sound Effects and Claire Ellis has been our dialogue Editor. Des Murray has been preparing the first stage of our on line, and we've been getting our credits ready. Today I worked with Nas Parkash our Sound Re Recording Mixer, prior to our mix next week with George Foulgham. It's sounding wonderful so far. Big thanks to all the post production team at Molinare for doing a brilliant job and being such a lovely team to work with.
This week we completed our colour grade with our Colourist Chris Rodgers at Molinare. Director Debbie Howard and Director of Photography, Emma Dalesman worked closely with Chris to get exactly the right look and feel for Still Loved and we're delighted with the results, it's looking absolutely gorgeous! Big thanks to Chris for doing such a wonderful job. It was a pleasure grading in the beautiful grading suite at Molinare with full size cinema screen, instead of on a computer, being able to see the detail really helped us to get the best cinematic look for the film and work on subtle detail. We're incredibly happy with the results. Chris Rodgers - Senior Colourist at Molinare. The Sound Mix is now underway and we'll be completing this in the next couple of weeks, more news to follow. Our Composer, Jack Ketch, has just completed the first pass on the score, which is sounding fantastic so far, there'll be a bit more work to do on this over the next two or three weeks. We're having a full 5:1 surround sound mix for Still Loved to give it the optimum finish for cinemas.
We also had a meeting with National Sands this week, which went really well and we had fantastic feedback on the film. More news on this later. Our short film Peekaboo is now on line - we've made it available for free, but are asking anyone that enjoys it to make a plege - no matter how small - to Still Loved as we still have several thousands of pounds to raise to complete this film and get it into cinemas. You can watch Peekaboo and pledge here. |
AuthorDebbie Howard Archives
March 2019
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